Thank you, let’s recap the Scroll Raider Studio screenplay highlights.
Robert’s artistic expression adapts well with value theory mathematics as expressed using Big O Scripting which has complex but comprehensible symbolisms. Whereas two centuries ago, reviews administered by the early church would include brutality of unimaginable proportion. Kabbalistic teachings were not acceptable and the persistent struggle to remain within commonplace teachings further justified secrecy.
Narrative
Scroll’s personification identifies with numerous paranormal events that opened insights to Strange Attractor that spans across ages and is known to only certain select few previous Raiders. The Strange Attractor opens a hidden space where mystical and religious writings are witnessed when whispered into existence by a supernal “Being of Thought.”
Scroll’s, a software designer whose discovery served to have relevancy within ancient mystical studies, suddenly raised incredible challenges regarding the use of AI while articulating legal precedence using strange expressions that a select few understand. The theme coupled within these episodes, observes Scroll’s Asymptotic Spatiotemporal Trajectory rendering, using Big O Script to codify twenty-seven axiological value sets, that temporalize, a Zero-Dimensional Particle, that once quantified, represents transferable cryptocurrency inherent with anti-usurpation under Kingdom Principles portrayed to face a challenge of taxation by the US Supreme Court.
The first part of the soundtrack themed in this episode is performed using glass slide guitar by Robert. When mystical passages subconsciously place Scroll’s as a 17 string Lute musician, the musical assembly is completed with Robert playing the Lute, a 5000-year-old instrument, to a 21st century beat.
This episode begins with the introduction of Simon and the soundtrack above. An Opossum that gets its own role and character preparing Scroll’s for “life after slubbing.” While entranced Scroll’s mission is revealed through another mystical insight directing Scroll’s to formalize the Paratexting between Artificial Intelligence and something ancient and concerning humanity.
The question leaning on Scroll’s is, what are the Juxtapositions between then and now? the challenge facing Scroll’s is speaking and writing script considered truistic to Kabbalistic themes two centuries ago, while currently, could face brutality of unimaginable proportion, beyond the harshest Shakespearian criticisms.
TITLE: I was slubbed
The scripting was intense with an unrelenting focus to record the insights that were rushing forward from thought to conscious of all things manifest. The door was open, the cool breeze carried stillness, Scroll’s began scripting using a pencil and in cursive, wrote from the thoughts spoken from within the One:
By three Para modal these trines:
ME, Formation, SPIRIT
My Self, Foundation, BODY
I, Fixation, MIND
The Quickening Spirit Regenerate from Spiritual domain is in the present, asleep and in dream, can only reveal paths already traveled and repeated.
{I felt a puff of a cool breeze and what I thought was a neighbor’s pet Chiwawa cuddle to my left ankle but continued to scribe with greater focus. As I scribed, the little night visitor began to lick my ankle, I anticipated Patches once my attention was given. I scribed:}
Here and now the mind comprehends past, present, and therefore in SPIRIT, to be quickened is “to send your Spirit before you to prepare a way.”
I sat the pencil down. When I looked and saw that it has been an Opossum licking and rubbing my left ankle for the last couple minutes. The Opossum placed its left front paw outward and looked upward at me as if it were bowing. Then Simon waddled out the door.
Life after slubbing
